Best hardware multiclock1/28/2024 The sequencing features are also integral to how I work when I play live. Punch and dynamics in the drums are essential to my sound and the MPC makes everything I put into it hit hard on a good sound system. Is there one piece of kit in your live setup that your sound would not be complete with? This means that the potential for happy accidents is high but I like the fact that the set up keeps me on my toes and my hands busy.Īlong with the FX pedals these drum machines change from gig to gig – If I’m playing a more Bluetrain dub set then the delay will always be in my bag, for instance, whereas for a more straightforward Steve O’Sullivan set I will sometimes just work with the internal delay on the Octatrack and maybe bring an extra drum machine with me instead. Having to save memory means that I need to be strict with what samples I can potentially use at each gig but despite this, I find that I can play anywhere between 1 and 2 and a half hours with ease and have plenty of material to improvise with.Įssentially, I use the MPC to generate basslines and main drum patterns, the Octatrack is loaded with loops and one shots of musical elements, sound fx, and vocal samples and then drum machines like the Digitakt or Roland I will program live for anything extra that I think a track needs as its playing. Using Ableton on a laptop would probably give me less stress when I’m adding new material to the banks of music that I travel with and a great deal more flexibility when I play but I like the rawness of the sound and the limitations that machines like the MPC have. Is your setup purely hardware and do you tend to stick with a particular setup? Other than the EQ and compressor on the master output and the MPC X I regularly use the other machines when playing live. How, if any does this differ from your usual full live setup? These were then fed into a Midas F24 mixing desk and recorded through a Custom Audio SL 4000 G Mixbus compressor and Elysia XFilter EQ into Logic via an RME UFX. I used an AKAI MPC X/ MPC1000, Elektron Octatrack/ Digitakt, Roland TR09, a Strymon Timeline Delay and Eventide H9 Max. I recorded a few takes and the one you’ve shared is the mix I’m happiest with.ĭid you use your full array of machines for the task or did you use a select few? Once I had decided on what the first two tracks would be I pressed record and took it from there. How did you approach the mix?Īs it’s been some time since I recorded a mix I wanted to include some future releases that I’ve never played live before so I spent a couple of days preparing and playing around with the elements of these and other tracks that I play just to get a feel for what tracks would work well together. Enjoy.įirstly, thanks for mixing the next edition of our podcast. It is with great pleasure that we introduce an exclusive hardware only recording from Steve performed live with his fine array of machines. His releases for the likes of Sushitech Records, Soma, and his own Bluespirit, Bluetrain, Green and Mosaic imprints have produced a benchmark that his peers can only hope to achieve. So maybe there is another boxx who can help me do so.A name synonymous with UK electronic music, Steve O’Sullivan’s illustrious discography began way back in the mid-nineties and in that time, he has written and rewritten the rulebook on deep, dubby techno several times. Sequencing with live and push 2 is kinda what i want to. The acme looks tempting but i would love to be able to just usb clock stuff without having to send a signal. Oplab and roland looks like it could be it but it's hella expensive for what it is and doesnt looks like it will last that much. Then it's a bit hard on ableton since i was kinda looking to make the clock fit between daw and hardware too. My cirklon may be here mid next year and i wanted to buy a beatstep until then.Ĭan the beatstep maybe replace all thoses unit and be the main clock ? I'll probably get another sequencer next year. I've got only 2 drums machine (606/mfb) and an es1x at the time.Ģ analog monosynth and 2 synthrack + 1 poly which sync ok I wonder if i should jump on the higher priced Acme. In the back: DIN Sync output and a MIDI trio I've seen different unit that i can list here with some interesting specs :Ĭlock: 2x analog clock out, 2x division out, analog clock inĮnvelope: positive out, inverted out, gate input I've looked for all the post about clocking hardware and software together but now i found more about all the existing stuff and i'm kind of back to start with too much stuff.
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